Author Bergson Henri

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Henri-Louis Bergson (French pronunciation: [b??k?s??]; 18 October 1859–4 January 1941) was a major French philosopher, influential especially in the first half of the 20th century. Bergson was born in the Rue Lamartine in Paris, not far from the Palais Garnier (the old Paris opera house) in 1859 (the year in which France emerged as a victor in the Second Italian War of Independence and over a month before the publication of Charles Darwin's On the Origin of Species). His father, the musician Micha? Bergson had a Polish Jewish family background (originally bearing the name Bereksohn). His mother, Katherine Levison, daughter of a Yorkshire doctor, was from an English and Irish Jewish background. The Bereksohns were a famous Jewish entrepreneurial family of Polish descent. Henri Bergson's great-great-grandfather, Szmul Jakubowicz Sonnenberg, called Zbytkower, was a prominent banker and King Stanis?aw August Poniatowski's protégé[1][2]. His family lived in London for a few years after his

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birth, and he obtained an early familiarity with the English language from his mother. Before he was nine, his parents crossed the English Channel and settled in France, Henri becoming a naturalized citizen of the Republic. Henri Bergson married Louise Neuberger, a cousin of Marcel Proust (1871-1922), in 1891. They had a daughter, Jeanne, born deaf in 1896. Bergson's sister, Mina Bergson (also known as Moina Mathers), married the English occult author Samuel Liddell MacGregor Mathers, a founder of the Hermetic Order of the Golden Dawn, and the couple later relocated to Paris as well. Bergson lived the quiet life of a French professor, marked by the publication of his four principal works: In 1900 the College of France selected Bergson to a Chair of Greek and Latin Philosophy, which he held until 1904. He then replaced Gabriel Tarde in the Chair of Modern Philosophy, which he held until 1920. The public attended his open courses in large numbers. Bergson attended the Lycée Fontaine (known as the Lycée Condorcet 1870-1874 and 1883- ) in Paris from 1868 to 1878. Having received a Jewish religious education , he of course read the Bible, including the Genesis. Between 14 and 16, however, he lost his faith. According to Hude (1990), this moral crisis is tied to his discovery of the theory of evolution, according to which humanity shares common ancestry with modern primates and was not necessarily created by a God or gods.[3][verification needed] While at the lycée Bergson won a prize for his scientific work and another, in 1877 when he was eighteen, for the solution of a mathematical problem. His solution was published the following year in Annales de Mathématiques. It was his first published work. After some hesitation as to whether his career should lie in the sphere of the sciences or that of the humanities, he decided in favour of the latter, to the dismay of his teachers.[4] When he was nineteen, he entered the famous École Normale Supérieure. During this period, he read Herbert Spencer.[4] He obtained there the degree of Licence-ès-Lettres, and this was followed by that of Agrégation de philosophie in 1881. The same year he received a teaching appointment at the lycée in Angers, the ancient capital of Anjou. Two years later he settled at the Lycée Blaise-Pascal in Clermont-Ferrand, capital of the Puy-de-Dôme département. The year after his arrival at Clermont-Ferrand Bergson displayed his ability in the humanities by the publication of an edition of extracts from Lucretius, with a critical study of the text and of the materialist cosmology of the poet (1884), a work whose repeated editions[which?] give sufficient evidence of its useful place in the promotion of classical study among the youth of France. While teaching and lecturing in this part of his country (the Auvergne region), Bergson found time for private study and original work. He crafted his dissertation Time and Free Will, which was submitted, along with a short Latin thesis on Aristotle (Quid Aristoteles de loco senserit), for his doctoral degree which was awarded by the University of Paris in 1889. The work was published in the same year by Félix Alcan. He also gave courses in Clermont-Ferrand on the Pre-Socratics, in particular on Heraclitus.[4] Bergson dedicated Time and Free Will to Jules Lachelier (1832-1918), then public education minister, a disciple of Félix Ravaisson (1813-1900) and the author of a philosophical work On the Founding of Induction (Du fondement de l'induction, 1871). Lachelier endeavoured "to substitute everywhere force for inertia, life for death, and liberty for fatalism". (Bergson owed much to both of these teachers of the École Normale Supérieure. Compare his memorial address on Ravaisson, who died in 1900.) Bergson settled again in Paris[when?], and after teaching for some months at the municipal college, known as the College Rollin, he received an appointment at the Lycée Henri-Quatre, where he remained for eight years. There, he read Charles Darwin and gave a course on him [4]. Although Bergson had previously endorsed Lamarckism and its theory of the heritability of acquired characteristics, he came to prefer Darwin's hypothesis of gradual variations, which were more compatible with his continuist vision of life [4]. In 1896 he published his second major work, entitled Matter and Memory. This rather difficult, but brilliant, work investigates the function of the brain and undertakes an analysis of perception and memory, leading up to a careful consideration of the problems of the relation of body and mind. Bergson had spent years of research in preparation for each of his three large works. This is especially obvious in Matter and Memory, where he showed a thorough acquaintance with the extensive pathological investigations which had been carried out during the period. In 1898 Bergson became Maître de conférences at his alma mater, l'Ecole Normale Supérieure, and later in the same year received promotion to a Professorship. The year 1900 saw him installed as Professor at the Collège de France, where he accepted the Chair of Greek and Latin Philosophy in succession to Charles L'Eveque. At the First International Congress of Philosophy, held in Paris during the first five days of August, 1900, Bergson read a short, but important, paper, "Psychological Origins of the Belief in the Law of Causality" (Sur les origines psychologiques de notre croyance à la loi de causalité). In 1900 Felix Alcan published a work which had previously appeared in the Revue de Paris, entitled Laughter (Le rire), one of the most important of Bergson's minor productions. This essay on the meaning of comedy stemmed from a lecture which he had given in his early days in the Auvergne. The study of it is essential to an understanding of Bergson's views of life, and its passages dealing with the place of the artistic in life are valuable. The main thesis of the work is that laughter is a corrective evolved to make social life possible for human beings. We laugh at people who fail to adapt to the demands of society, if it seems their failure is akin to an inflexible mechanism. Comic authors have exploited this human tendency to laugh in various ways, and what is common to them is the idea that the comic consists in there being "something mechanical encrusted on the living".[5][6] In 1901 the Académie des sciences morales et politiques elected Bergson as a member, and he became a member of the Institute. In 1903 he contributed to the Revue de métaphysique et de morale a very important essay entitled Introduction to Metaphysics (Introduction à la metaphysique), which is useful as a preface to the study of his three large books. He detailed in this essay his philosophical program, realized in the Creative Evolution [4]. On the death of Gabriel Tarde, the eminent sociologist, in 1904, Bergson succeeded him in the Chair of Modern Philosophy. From 4 to 8 September of that year he visited Geneva, attending the Second International Congress of Philosophy, when he lectured on The Mind and Thought: A Philosophical Illusion (Le cerveau et la pensée: une illusion philosophique). An illness prevented his visiting Germany to attend the Third Congress held at Heidelberg. His third major work, Creative Evolution, undoubtedly the most widely known and most discussed of his books, appeared in 1907. It constitutes one of the most profound and original contributions to the philosophical consideration of evolution. Pierre Imbart de la Tour remarked that Creative Evolution was a milestone of new direction in thought. By 1918, Alcan, the publisher, had issued twenty-one editions, making an average of two editions per annum for ten years. Following the appearance of this book, Bergson's popularity increased enormously, not only in academic circles, but among the general reading public. At that time, Bergson had already made an extensive study of biology, knowing of the theory of fecundation (as shown by the first chapter of the Creative Evolution), which had only recently emerged, ca. 1885 — no small feat for a philosopher specializing in the history of philosophy, in particular of Greek and Latin philosophy[4]. He also most certainly had read, apart of Darwin, Haeckel, from whom he retained his idea of a unity of life and of the ecological solidarity between all living beings [4], as well as Hugo de Vries, whom he quoted his mutation theory of evolution (which he opposed, preferring Darwin's gradualism) [4]. He also quoted Charles-Édouard Brown-Séquard, the successor of Claude Bernard at the Chair of Experimental Medicine in the College of France, etc. Bergson travelled to London in 1908 and met there with William James, the Harvard philosopher who was Bergson's senior by seventeen years, and who was instrumental in calling the attention of the Anglo-American public to the work of the French professor. The two became great friends. James's impression of Bergson is given in his Letters under date of 4 October 1908: "So modest and unpretending a man but such a genius intellectually! I have the strongest suspicions that the tendency which he has brought to a focus, will end by prevailing, and that the present epoch will be a sort of turning point in the history of philosophy."

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